b/music-expanse by Cosmoboo

Jameszoo - Fool (Japan Edition) (2016)

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Jameszoo - Fool (Japan Edition) (2016)

Mp3 320 kbps / FLAC (log,tracks+cue) | Label: Beat Records | Avant-Garde Jazz, Electronic, Experimental | 00:48:37 | 116 / 261 Mb

Tracklist

01. Flake (03:52)
02. Lose (04:07)
03. Soup (04:02)
04. Flu (05:09)
05. Wrong (03:38)
06. Meat (04:53)
07. The Zoo (05:01)
08. Crumble (02:33)
09. Nail (Skit) (02:30)
10. Toots (05:18)
11. Teeth (02:37)
Japan Edition bonus track:
12. Virus (04:57)

Musicians:
Bass Guitar – Dries Laheye (track: 1), Frans Petter Eldh (tracks: 4, 7), Raphael Vanoli (tracks: 2, 9, 11), Stephen Bruner (track: 6)
Double Bass – Eric Van Der Westen (tracks: 5, 10)
Drums – Julian Sartorius (tracks: 3-8, 10, 11), Richard Spaven (track: 5)
Guitar – Arthur Verocai (track: 4), Marzio Scholten (track: 3)
Keyboards, Vocals – Steven Kuhn (track: 7)
Mixed By – Mitchel Van Dinther (tracks: 1-12), Vincent Helbers (tracks: 1-12)
Organ – Niels Broos (track: 10)
Organ, Synth – August Rosenbaum (tracks: 6, 12)
Percussion – Frank Wienk (tracks: 1, 7)
Piano – Richard Eigner (track: 5)
Piano, Synth – Niels Broos (tracks: 1-4, 6-10, 12)
Synth – Mitchel Van Dinther (tracks: 1-4, 6, 8, 10, 12)
Tenor Saxophone – John Dikeman (tracks: 3, 6, 11), Mete Erker (track: 10)
Viola – Oene Van Geel (tracks: 4, 7, 11)
Vocals – Carlos Dafe (track: 4)

On his debut full-length, Fool, unclassifiable Dutch producer Jameszoo (Mitchel van Dinther) embraces naivete, ignoring boundaries and resisting musical conventions in favor of following his own creative impulses. The album is a playful amalgamation of influences ranging from outer-space jazz-funk to Brazilian rhythms, painstakingly crafted to sound spontaneous and unpredictable. While Jameszoo's previous EPs offered a wonderfully broken, loose perspective on abstract beatmaking, Fool incorporates more live instrumentation than his prior works, showcasing van Dinther's progress as a composer and bandleader. Squirming, whistling synths will collide with contemplative piano chords, and at any given moment the skeletal rhythm could break down and transform into something else. It takes a few listens for the album to really make sense, but it eventually reveals itself to be highly thoughtful, original, and creative.

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